Theatrical Conventions:
- Masks
- Cross-gender (costume/casting)
- Asides
- Soliloquy
- Stillness/silence/pauses
- Use of a narrator (seen in "memory plays" like The Glass Menagerie or Brighton Beach Memoirs
- Synecdoche (part represents the whole)
- Suggested scenery (consider the set in Driving Miss Daisy, for example)
- Costumes & props
- Multiple casting (one actor plays several roles)
- Lights or lighting changes
- Soundscapes/sound effects
- The fourth wall; Breaking the fourth wall (addressing the audience)
- Flash forward, flashback, slow motion, freeze
- Tableau
- Montage
- On-stage deaths; stage fights
- Physical theater; mime
- Unities of time, place, or action
- Transformation of time, character, place, or through props
- Songs
- Choruses
- Heightened language; unrealistic speaking patterns
- Placards, signs, and multimedia
Look for some of these conventions in the following short play: The Play That Goes Wrong.
Paula Vogel's The Baltimore Waltz.
Paula Vogel on The Baltimore Waltz. For a full master class discussion on playwriting by Paula Vogel, check out the Dramatist Guild's video. (120 minutes...)
Plot forms:
Scenes from the play: The Baltimore Waltz
The film noir film: The Third Man (1960), The Ferris Wheel Scene from The Third Man (1960)
Paula Vogel on The Baltimore Waltz. For a full master class discussion on playwriting by Paula Vogel, check out the Dramatist Guild's video. (120 minutes...)
Plot forms:
- Linear: plot is told from a beginning point to an ending point. The most common type of narrative.
- Shakespearean/Epic form: episodic scenes that culminate in the traditional plot structure...
- Circle: beginnings become endings, that become beginnings that are endings...
- Pattern: a repeating pattern is formed to frame the narrative...
- Generic synthetic form: text is comprised of a variety of hypotexts (texts that come before) that function as models or a structure for the new text...(so Star Wars was a hypotext for Family Guy's Blue Harvest, for example; The Odyssey was a hypotext for James Joyce's Ulysses, etc.)
Paula's advice: Steal. Pay homage. Read as much as you can. Write away from the subject you most want to write about but can't.
Scenes from the play: The Baltimore Waltz
The film noir film: The Third Man (1960), The Ferris Wheel Scene from The Third Man (1960)
HOMEWORK: Complete The Baltimore Waltz if you did not finish it during class. Complete a play analysis sheet for The Baltimore Waltz. See the links above for details about the play and Paula Vogel.
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