LAB: (Until 8:00)
Congratulations Scholastic Writing Award Winners! Great job!
Many of Edison's early films were shot by W.K.L. Dickson. Thomas Edison invented the idea of the Kinetoscope but it was Dickson who designed it between 1889-1892. Edison's film studio was called the Black Maria. The first kinetoscope exhibition occurred in New York, NY in 1894.
Some Kinetoscope film examples (watch & take notes...):
Period 2: Film Screening:
As we watch these films, please record the title, name of director, and a 1-3 sentence description.
France and the U.S. were quick to jump on the possibilities of film projection. But quick on their heels was Britain (and then other countries including Germany & Italy). These countries have a long and respected reputation when it comes to film making. They were there at the beginning.
The pair worked together and Acres used the camera to make the first successful film in Britain - Incident at Clovelly Cottage in 1895. It was at this point where the two entered into partnership with a ten year business agreement. This agreement lasted only six weeks before splitting. During their brief partnership, the two shot films. It is widely believed that Paul was angry because Acres had patented his own Kinetic camera in his own name - almost identical to the one they had developed together. The resulting projector became known as the Kinetic Lantern, Kineopticon and the Cinematoscope.
As for Paul, he invented the Theatrograph projector and shot the first "news" films. Paul also made various “Actuality” films, and a short comedy - “The Soldier’s Courtship.” He is, also, curiously, responsible for the first Scrooge film. In 1898 Paul began construction on Britain’s first film studios in Muswell Hill, North London and during that summer produced over eighty short dramatic films.
Paul’s production company peaked during 1900 and 1905 but he gradually became disenchanted with the business. He returned to his previous occupation, concentrating on electrical engineering.
R.W. Paul: Queen Victoria's Diamond Jubilee (1897)
Birt Acres: Rough Sea at Dover (1895)
HOMEWORK: Please complete your story board. See above (and below) for details.
Congratulations Scholastic Writing Award Winners! Great job!
Many of Edison's early films were shot by W.K.L. Dickson. Thomas Edison invented the idea of the Kinetoscope but it was Dickson who designed it between 1889-1892. Edison's film studio was called the Black Maria. The first kinetoscope exhibition occurred in New York, NY in 1894.
Some Kinetoscope film examples (watch & take notes...):
- Statue of Liberty (1898)
- The inauguration of President McKinley (1901)
- Skyscrapers of New York (1903)
- Moscow Clad in Snow (1906)
- Arrival of a Train at La Ciotat (Lumiere Bros) (1895)
- Lion, London Zoological Gardens (Lumiere Bros) (1895)
- The Sprinkler Sprinkled (Lumiere Bros) (1895)
- Le Squelette Joyeux (the happy skeleton) (1895)
- Arab Cortege (Lumiere Bros) (1896)
- Various actualities (documentaries)
George Melies and Edwin S. Porter both found a way to edit and arrange film to create a narrative story. With these two film directors we begin to expand the novelty and artistic quality of the medium.
Styles of Film:
Styles of Film:
If we were to reduce all films to a continuum, we would have realism on one end of the continuum and formalism on the other. The Lumiere Brothers, and many of Edison's films, are considered actualities and are little more than moving snapshots of real life in real settings shot on location in real places. Early audiences were fascinated by these films partly because they had never seen a picture move, but also because the events the films captured were spontaneous and true. It don't get more real than this! The most real films are often considered to be documentaries--documents of real people, places, or events.
On the other side of the continuum is formalism. Formalist films are often avant-garde or metaphorical. Melies' films are perfect examples of this kind of film. Melies used trick photography, whimsical and fantastic subject matter that went beyond reality, and arranged his scenes deliberately for effect. While the camera stays at a safe viewing distance (long shot), the entire film is manipulated to create an effect on the viewer. When a director does these things (tricks like dissolves or stop motion or careful editing) he is beginning to lose the spontaneity of capturing real life, as all is "staged" and "un-real".
Today most films are considered the mid-range between realism and formalism. This mid-range is called classicism and most fiction films fall into this category.
George Melies outlined a narrative story by numbering scenes he would need for a film. See the chapter on Melies (handout) for examples. This arrangement served as a creative outline for most early filmmakers. Much of the plot, acting, and filming was completely improv, but directors had a general idea of the film they wanted to make.
Directions (assignment from Friday, Feb. 3):
1. Work alone or with one partner.
2. Create your own pre-arranged scene break down for a film of your own. You may, like Melies, choose a favorite story or fairy tale, or create your own sci-fi or fantasy story, or, like Porter, base your story on an event taken from News headlines, or from your own imagination.
3. Create a short film scene outline with between 6-12 distinct scenes. You should give a very short description of each scene that includes the following information:
A. Where does the action/filming take place?
B. What is the central action or event in the scene?
C. What characters are involved in the action?
D. How does one action lead to a reaction (cause and effect, or i.e., PLOT) and/or resolution?
E. What type of shot would you use for the scene: Close-up, Medium shot, Long Shot, Tracking Shot, Pan, (extreme close up or long shot?)
F. Draw an example shot of the key action or characters for the scene on the storyboard. Use the template provided for this purpose.
Due next class: Thursday, Feb. 9.
Period 2: Film Screening:
As we watch these films, please record the title, name of director, and a 1-3 sentence description.
- A TRIP TO THE MOON (1902), Directed by George Melies (The Astronomer's Dream - 1898); (The Impossible Voyage, 1904); and (The Conquest of the Pole, 1912)
- THE GREAT TRAIN ROBBERY (1903), Directed by Edwin S. Porter
- The Life of an American Fireman (Edwin S. Porter, 1903)
- Uncle Tom's Cabin (Edwin S. Porter, 1903, with real live negroes!--the first African Americans in a feature film, albeit, main characters are still in black face!) What is black face? Here's a bit of history (see link!)
- The Kleptomaniac (1905)
- Dream of a Rarebit Fiend (Edwin S. Porter, 1906)
France and the U.S. were quick to jump on the possibilities of film projection. But quick on their heels was Britain (and then other countries including Germany & Italy). These countries have a long and respected reputation when it comes to film making. They were there at the beginning.
Birt Acres & R.W. Paul
Birt Acres was born in the USA in 1854, orphaned at the age of fourteen during the American civil war and was taken in by his aunt. Around 1872 Acres was sent to Paris to complete his education at the Sorbonne. Acres returned to the United States four years later to lead the life of a Frontiersman and it during a period of eight or nine years became quite wealthy. Around 1885 he moved to England. He set up a studio in the seaside resort of Devon for the production of painted portraits and photography. In 1894 Acres was introduced to electrical engineer, Robert W. Paul. At this time Paul was in the process of manufacturing copies of Edison’s Kinetoscope and was anxious to construct a camera with which to produce films to show on his machines.
The pair worked together and Acres used the camera to make the first successful film in Britain - Incident at Clovelly Cottage in 1895. It was at this point where the two entered into partnership with a ten year business agreement. This agreement lasted only six weeks before splitting. During their brief partnership, the two shot films. It is widely believed that Paul was angry because Acres had patented his own Kinetic camera in his own name - almost identical to the one they had developed together. The resulting projector became known as the Kinetic Lantern, Kineopticon and the Cinematoscope.
As for Paul, he invented the Theatrograph projector and shot the first "news" films. Paul also made various “Actuality” films, and a short comedy - “The Soldier’s Courtship.” He is, also, curiously, responsible for the first Scrooge film. In 1898 Paul began construction on Britain’s first film studios in Muswell Hill, North London and during that summer produced over eighty short dramatic films.
Paul’s production company peaked during 1900 and 1905 but he gradually became disenchanted with the business. He returned to his previous occupation, concentrating on electrical engineering.
Meanwhile, Acres gave the first public performance of his projector at the Royal Photographic Society in 1896 - five weeks before the screening of Lumière’s Cinématographe and Paul’s Theatograph. Acres formed his own company - the Northern Photographic Works which specialized in coating, perforating and processing film. In 1898 he unveiled the Birtac - the first 'sub-standard gauge' cine camera and projector, instead of normal 35mm film the camera used narrower width film - typically 17.5 mm. Unfortunately for Acres, within weeks, a rival 17.5 mm camera/projector was announced - the Biokam by the Warwick Trading Company. The Biokam benefitted from its heavy backing and cheapness - half the price of the Birtac. Regardless of this, Birt Acres invented the first amateur cine camera and remained in the film business until his death in 1918.
R.W. Paul: Queen Victoria's Diamond Jubilee (1897)
Upside Down (1899) (watch camera tricks)
Scrooge, or Marley's Ghost (1901) (the first Scrooge film).
The Magic Sword (1901)
The Delhi Durbar (1903)
Birt Acres: Rough Sea at Dover (1895)
Crude Set Drama (1896)
EARLY FILMS & INVENTION:
Hollywood has never been that original compared to early filmmakers. Here's a few films that keep getting made over and over again. Other films of the early 20th century:
- Joan D'Arc (1900)
- Cyrano de Bergerac (1900)
- Frankenstein (Edison) (1910)
- A Trip to Mars (Edison) (1910)
- Wizard of Oz (1910)
- James Searle Dawley: Rescued From an Eagle's Nest (1907, Frodo & Sam were not the first little guys to get rescued!)
- Milano Films: Odissea (Italian cinema, 1911)
- Milano Films: Dante's Inferno (Italian cinema, 1911--the oldest surviving feature length epic)
- Oldest surviving color film (1902)
HOMEWORK: Please complete your story board. See above (and below) for details.
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