This morning, during period 1, please continue working on your film projects OR, if there's not much to do in your group without filming, spend the time working on your homework (reading the article/handout and taking notes on the 1960's film trends!) See below for details.
1960's Film Trends:
With the change in restrictions based on the rating system from the MPAA, content in films gets grittier, more violent, more sexual, and more...well...Hollywood. View a few clips of famous films and film categories developed in the 1960's. Take notes on your graphic organizer. This material is fair game for the upcoming exam. Note years, genres, actors, directors, and films.
1960's Epic/Costume Drama Films:
Spartacus (1960) Kirk Douglas, Laurence Olivier, Charleton Heston, Peter Ustinov
El Cid (1961) Charleton Heston
Cleopatra (1963) Elizabeth Taylor & Richard Burton
Becket (1964) Richard Burton & Peter O'Toole
The Sound of Music (1965) Julie Andrews & Christopher Plumber
Doctor Zhivago (1965) Julie Christie, Omar Sharif
The Lion in Winter (1968) Peter O'Toole & Katherine Hepburn
Angry Young Man Films:
Look Back in Anger (1959) Richard Burton
The Loneliness of the Longdistance Runner (1962)
The Caretaker (1963)
The Leather Boys (1963)
If (1968) Malcolm McDowell
Easy Rider (1969) Dennis Hopper
Beatles' Films
A Hard Day's Night (1964)
Help! (1965)
The Magical Mystery Tour (1967)
Yellow Submarine (1968)
Famous/Influential Directors:
Stanley Kubrick: Lolita (1962), Dr. Strangelove (1964)
John Ford: The Man Who Shot Liberty Valance (1962)
George Pal: The Time Machine (1960), Jason & the Argonauts (1963), One Million Years BC (1966)
John Frankenheimer: The Young Savages (1961), The Manchurian Candidate (1962)
Arthur Penn: The Miracle Worker (1962), Bonny & Clyde (1967), Alice's Restaurant (1969)
Robert Aldrich: Whatever Happened to Baby Jane (1962) with Bette Davis & Joan Crawford; The Dirty Dozen (1967)
Blake Edwards: Breakfast at Tiffany's (1961); The Pink Panther (1963)
Alfred Hitchcock: Rear Window (1954), Vertigo (1958), Psycho (1960), The Birds (1963), Marnie (1964), Torn Curtain (1966)
James Bond Films: Dr. No (1962), Goldfinger (1964)
African American Films:
Sidney Poitier: A Raisin in the Sun (1961), Lilies of the Field (1963), To Sir With Love (1967), Guess Who's Coming to Dinner (1967)
Psycho: 1960 Alfred Hitchcock
One way to appreciate film is by examining its narrative structure. As young writers, this is a great exercise. You can learn a lot about writing by paying attention to narrative.
Narrative can be:
• Omniscient
• Limited (over the shoulder)/Restricted
• Multiple Perspective
Narrative largely depends on how time (or chronology) works in the story.
Chronology: (how time works in a story)
• Chronological/linear time
• Non-chronological/non-linear
• Flashback
• Frame
When we examine time and narrative in film, we should ask:
Hitchcock applies several effective narrative techniques to keep his audience on its toes. The most famous of these is:
The MacGuffin: an object of importance to the characters but of little interest to the director (and consequently to the viewer).
As you watch Psycho, pay attention to:
1. The MacGuffin (what is it for which character?)
2. the Set-up
3. the 1st turning point or crisis
4. Development & shifting of POV (and our loyalties/concerns)
5. Other turning points (there can be several of these)
6. the Climax
7. the Resolution: how the film ends (and what that suggests)
HOMEWORK: Please complete the graphic organizer on 1960's film trends and read and annotate the article on the MPAA. Continue to work on filming your film project.
1960's Film Trends:
With the change in restrictions based on the rating system from the MPAA, content in films gets grittier, more violent, more sexual, and more...well...Hollywood. View a few clips of famous films and film categories developed in the 1960's. Take notes on your graphic organizer. This material is fair game for the upcoming exam. Note years, genres, actors, directors, and films.
1960's Epic/Costume Drama Films:
Spartacus (1960) Kirk Douglas, Laurence Olivier, Charleton Heston, Peter Ustinov
El Cid (1961) Charleton Heston
Cleopatra (1963) Elizabeth Taylor & Richard Burton
Becket (1964) Richard Burton & Peter O'Toole
The Sound of Music (1965) Julie Andrews & Christopher Plumber
Doctor Zhivago (1965) Julie Christie, Omar Sharif
The Lion in Winter (1968) Peter O'Toole & Katherine Hepburn
Angry Young Man Films:
Look Back in Anger (1959) Richard Burton
The Loneliness of the Longdistance Runner (1962)
The Caretaker (1963)
The Leather Boys (1963)
If (1968) Malcolm McDowell
Easy Rider (1969) Dennis Hopper
Beatles' Films
A Hard Day's Night (1964)
Help! (1965)
The Magical Mystery Tour (1967)
Yellow Submarine (1968)
Famous/Influential Directors:
Stanley Kubrick: Lolita (1962), Dr. Strangelove (1964)
John Ford: The Man Who Shot Liberty Valance (1962)
George Pal: The Time Machine (1960), Jason & the Argonauts (1963), One Million Years BC (1966)
John Frankenheimer: The Young Savages (1961), The Manchurian Candidate (1962)
Arthur Penn: The Miracle Worker (1962), Bonny & Clyde (1967), Alice's Restaurant (1969)
Robert Aldrich: Whatever Happened to Baby Jane (1962) with Bette Davis & Joan Crawford; The Dirty Dozen (1967)
Blake Edwards: Breakfast at Tiffany's (1961); The Pink Panther (1963)
Alfred Hitchcock: Rear Window (1954), Vertigo (1958), Psycho (1960), The Birds (1963), Marnie (1964), Torn Curtain (1966)
James Bond Films: Dr. No (1962), Goldfinger (1964)
African American Films:
Sidney Poitier: A Raisin in the Sun (1961), Lilies of the Field (1963), To Sir With Love (1967), Guess Who's Coming to Dinner (1967)
Psycho: 1960 Alfred Hitchcock
One way to appreciate film is by examining its narrative structure. As young writers, this is a great exercise. You can learn a lot about writing by paying attention to narrative.
Narrative can be:
• Omniscient
• Limited (over the shoulder)/Restricted
• Multiple Perspective
Narrative largely depends on how time (or chronology) works in the story.
Chronology: (how time works in a story)
• Chronological/linear time
• Non-chronological/non-linear
• Flashback
• Frame
When we examine time and narrative in film, we should ask:
- Who does the camera favor?
Hitchcock applies several effective narrative techniques to keep his audience on its toes. The most famous of these is:
The MacGuffin: an object of importance to the characters but of little interest to the director (and consequently to the viewer).
As you watch Psycho, pay attention to:
1. The MacGuffin (what is it for which character?)
2. the Set-up
3. the 1st turning point or crisis
4. Development & shifting of POV (and our loyalties/concerns)
5. Other turning points (there can be several of these)
6. the Climax
7. the Resolution: how the film ends (and what that suggests)
HOMEWORK: Please complete the graphic organizer on 1960's film trends and read and annotate the article on the MPAA. Continue to work on filming your film project.
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