Elizabethan Period
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Advice from Paula Vogel (and Mr. Craddock):
Once you have chosen a time period for your setting, consider HOW you will plot your story. How many scenes will you write? How may you combine time and scenes to tell your story? Consider:
Plot: (what happens on stage) off stage is part of the story, not part of the plot
a. Pick a historical person, or set your play in a historical time period. Your play may deal with a fictional protagonist(s) in an otherwise historical setting.
b. Ask: Where would you start a play? Each writer will start a plot somewhere different. Write a short play with that plot in mind. Example:
1.
Hamlet can be told from a variety of plots.
Where we start Hamlet suggests a different story as varied as the writer
writing the play.
2.
Fortinbras,
by Lee Blessing for example, starts his play at the end of Shakespeare's Hamlet. Hamlet could also be a minor character (for example in Tom Stoppard's Rosencrantz and Guildenstern are Dead)
3. Desdemona by Paula Vogel tells the story of Desdemona in Othello:
plot can be told from the perspective of a different character
c.
Four ways of writing plot:
i. Linear
(syllogistic): events happen in chronological order
ii. Circular: events start at a point in time then flashback and come back to the present by the end of the play.
iii. Pattern
plot: event, event, event, then repeat 1st event, 2nd
event, 3rd event, etc. (The
General, for example). Your plot will form a specific pattern.
iv. Genre/archetype: impose one genre or form on another. Combine mystery, romance, western, musical, realist, etc. Include a wedding, funeral, or graduation. Alternate celebrations with tragedy and vice versa. Look at Henry V as an example of this. The play ends with a wedding after a terrible battle. Take the same plot, but include elements of the generic genre
or archetype.
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