Narratology: the study of narrative forms.
Stories are divided into genres. Each genre has rules and expectations that help define its formalistic elements: structure, character, plot, setting, etc.
In film there are three super genres (broad genres that encompass the whole): they are STYLES of film:
Some classical and formalistic narrative techniques we recognize:
See previous posts for Formalistic and Realistic style explanations.
Stories are divided into genres. Each genre has rules and expectations that help define its formalistic elements: structure, character, plot, setting, etc.
In film there are three super genres (broad genres that encompass the whole): they are STYLES of film:
A. Realistic: (qualities: objective, 3rd person POV)When narratives fail to act according to convention or what we have come to expect from tradition or from the genre, we, as viewers have to figure out what is meant from the deviation of the structure and style of the genre.
B. Classical: (qualities: objective/subjective, 3rd person, often limited 3rd person)
C. Formalistic: (qualities: subjective, 1st person or unreliable narrator)
Some classical and formalistic narrative techniques we recognize:
1. The flashbackClassical style narrative plots generally follow the typical 3-act structure. They rise through a series of events (rising action) to a definitive climax, and usually resolve in some way. These plots are generally linear: telling the story in sequence of time and ordered events. Important symbols or metaphors are usually explained; solutions are offered. These films, more than formalistic or realistic films, are directed to a general [genre specific] audience.
2. The dream sequence
3. The distorted view (as if the subject or character is drunk, insane, troubled, drugged, etc.)
4. Voice overs (this indicates we have a subjective narrator)
See previous posts for Formalistic and Realistic style explanations.
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