Sunday, April 24, 2011

Citizen Kane

As we view Citizen Kane, there are a series of important elements that can enrich our understanding of this film.

Orson Welles as Auteur:
Welles directed, wrote (partial), and starred in this film (even though he wasn't old enough it was thought to portray Kane). While Welles had direct control over the film and its look, there were other people who contributed artistically. We don't remember them. Just kidding. Of particular importance was Greg Toland (the cinematographer).

Camera Work:
The Deep Focus shot!
Low angle shots revealing ceilings!
Moving shots used as wipes!
Overlapping dialogue! (not original to Welles, but a trend in Screwball Comedies)
Long uninterrupted shots!
Expressionist lighting and photography!

Narrative/Special techniques:
Multiple perspective!
Flashbacks!
Aging!

motifs and themes:
The American Dream: For all of Kane's "success", he is not happy. He dies lonely, with only his "possessions" around him. Is all our striving to succeed in America an illusion?

Perspective:
The differing perspectives on Kane's life, especially in the absence of Kane's own point of view, force us to question what was truly important in Kane's life (and by extension what constitutes a life in general.) Judging by Kane's last muttered word: Rosebud, the most important pieces of his life were not the things that made him newsworthy, such as his newspaper successes and political ambitions, nor his friendships and associations. As Thompson interviews different people about Kane, we are given different multiple perspectives on the man (some are unreliable sources). Odd, though, that we do not see Kane from Kane's POV. Does this diminish our enjoyment or understanding of this film? Why do you think we are not given Kane's POV?

Motifs:
Isolation
Materialism/Capitalism
Old Age

Symbols:
Snowglobe
Sleds
Statues

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